MISSOURI WESTERN STATE UNIVERSITY

School of Liberal Arts and Sciences

Department of English, Foreign Languages, and Journalism

Dr. Elizabeth Latosi-Sawin      Summer 2006

 

ENGLISH 341/ THEATER 341: SHAKESPEARE

Professor:              Dr. Elizabeth Latosi-Sawin  Office:    Eder Hall 215

Phone:                    271-4274                                 Office hrs: By appointment

Email:                      sawin@missouriwestern.edu

Section 01              Time: 5:30-8:20 TTH                             Classroom:  Murphy Hall 106

 

COURSE OBJECTIVES:

To read and analyze several of Shakespeare’s plays as literary texts AND as scripts meant to be performed

As literary texts:

To understand Shakespeare’s artistic development (internal structure of plays, methods of characterization, conventions of genre, recurrent themes)

To demonstrate understanding of Shakespeare’s vocabulary, syntax, and stylistic techniques

(including a study of some of his sonnets)

To set Shakespeare’s work in the context of the historical period in which he lived

To learn how Shakespeare transformed the sources he used

As scripts:

To learn what makes an action “dramatic”

To identify the tasks directors face and the skills actors must have

To understand the theatrical setting of Elizabethan plays and the differences in live performances in other venues, videos of stage productions, and film adaptations

To analyze the directorial interpretations of Shakespeare’s texts embodied by specific performances 

 

REQUIRED TEXTS:

The Riverside Shakespeare: The Complete Works 2nd edition Boston: Houghton Mifflin, 1997.

 

ATTENDANCE POLICY:

Films, in-class writings, discussions, quizzes and video showings can’t be “made-up.” Once these activities occur they are lost to you. Likewise, your contributions are lost to us when you are not here.  ONE absence in a night class is equivalent to three missed classes.  One absence is understandable. Two will affect your grade.

 

DISABLED STUDENT POLICY:

If you have a recognized disability that requires special consideration, please make an appointment to see me during the first week of classes so that we can discuss privately how I might help you succeed.

 

ACADEMIC HONESTY:

You are expected to do your own reading and writing in this course.  Any student who submits someone else's work as his or her own will receive no credit (0 points) for that assignment.   A second infraction will earn an "F" in the course. Taking ideas from articles published anywhere without citation or copying work from other students is NOT acceptable behaviors.

 

GRADED ASSIGNMENTS:

Paper on Sonnet                                                   100 points

Paper on Shakespearean in Performance         100 points

4 MAPS of plays                                                  100 points

In-class ESSAYS / TESTS                  100 points

KING LEAR (map, summary, test)                     100 points

In-class writing/attendance/participation         50 points

TOTAL: 550 points              (A=90-100% of total points; B= 80-89.75%;

 C=70-79.75%; D=60-69.75; F= 59.75% or less)

 

 

ASSIGNMENTS:

 

June 6     Introduction to the course.

In Search of Shakespeare: Early Youth Part I

                Introduction to sonnets. Presentation and analysis of “Lo, as a careful housewife runs to catch”

 

June 8     In Search of Shakespeare: The Lost Years Part II

                Shakespeare’s English (exercises)

                Sawin’s Notes on Shakespeare’s Sonnets (from Hallett Smith’s introduction in Riverside)

                Additional handout on “Lo, as a careful housewife runs to catch”

                For June 13th read 18 assigned sonnets (and, if possible, treat yourself to a reading of  the entire sequence)

                Select 5 of the assigned sonnets you like the most. Choose 2 you would consider analyzing for your paper.

                Find one that you would like to memorize

 

June 13  In Search of Shakespeare: Part III

                In small groups, paraphrase selected sonnet.

                Check out commentary on http:www.Shakespeares-sonnets.com/index.htm

                For June 15 write the first draft of an essay in which you explain the growth in your understanding.

 

June 15  In class: Richard II

 

June 20  Over the weekend: Read Henry V: Do a MAP (written instructions given in class)

                In class: Complete viewing of Richard II

 

June 22  Catch up. Read Henry IV Part I (No map necessary)

In-class viewing of Richard Branagh’s Henry V.

 

June 27 LIVE PERFORMANCE of Henry V in Southmoreland Park, Kansas City.

                Bus will be in the Library Parking Lot at 5 p.m.

                Bring camp chair, water, and food if you like

 

June 29 Revised Paper on Sonnet DUE.

                Assignment on Henry V (Shakespeare in Performance) given: DUE July 6.

                In-class viewing of A Midsummer Night’s Dream.

 

July 4      NO CLASS

July 6      Sonnet papers and Maps returned.

                In-class mid-term test and essay on  Richard II and Henry V.

                                Read handouts on (a.) political theory (b) political power (c) notes taken from Herschel Baker

                                Read introductions to both plays in our Riverside edition.

                In-class: Shakespeare’s theatre AND genre (Hilda Spear’s site)

 

July 11   Read Much Ado About Nothing. Prepare a MAP.

                In Search of Shakespeare: Finish seeing Part III

 

July 13   Read Othello. Prepare a MAP

 

July 18   Essay Due comparing Much Ado and Othello: Comedy’s Turns & Tragedy’s Inevitable Paths

In Search of Shakespeare: Finish Part III and IV

 

July 20   Read King Lear (Acts I and II) Prepare a MAP

 

July 25   Read King Lear (Acts III, IV, and V) Prepare a MAP

 

July 27  Paper on King Lear due / Performance of Sonnets