Missouri Western State College
Division of Liberal Arts and Sciences
ENG 210-07 Approaches to Literature: Film Literature
Meets Tuesday 3:30-6:20pm, Hearnes Center 102
Fall 2006
Basic
Information
Instructor Information
Dr. Karen
U. Fulton, Professor
Communication
Tel: 271-4317(work)
email:
fulton@missouriwestern.edu
Office Hours
Office: 222H Eder Hall
10-12 and 1:30-3:30 M, 1:30-3:30 T; other times
by appointment
Final Examination
Thursday,
December 14, 2006 at 2 pm
Required Texts
Austen, Jane. Persuasion. Mineola, N.Y.:
Persuasion, 1997.
Leonard, Elmore. Out of Sight. New York:
Bantam,
1996.
Other Required Supplies
Access to computer and MWSC P-drive (you will
need your Missouri Western password to access this drive).
Access to email; it is much easier to communicate with me via email.
Access to word processor with spell-checker
(for out of class assignments).
Course
Objectives and Means
English 210 fulfills Category IV General Studies requirements. These goals
can be found onhttp://www.mwsc.edu/~engdept/genstud.html. All English 210
sections provide practice in reading poetry, prose fiction, and drama.
General 210 Objectives:
- Recognize
the major characteristics of literary genres.
- Discuss
literature, orally and in writing, with assurance.
- Appreciate
literary works which are encountered.
- Understand
the different ways in which literary themes may be treated in literature.
Objectives for Film Literature:
- Recognize
major characteristics of the various film genres and the literature on
which the films are based as well as the literature the films generate.
- Discuss
films and film literature orally and in writing with assurance.
- Appreciate
filmed literary works which you encounter.
- Understand
the different ways in which a literary theme may be treated in film.
General 210 Means:
- Read
poetry, fiction, and drama.
- Investigate
various methods of approaching and understanding literature.
- Written
essays and essay examinations.
- Read
a variety of works of literature.
Film 210 means
- View
various film productions, read works on which films have been based, read
a variety of criticism generated by film.
- Investigate
various methods of approaching and understanding films and their
literature.
- Complete
written assignments which deal with the films viewed as well as a long
paper and partial essay examinations.
- Read
at least one work on which a film has been based; read and understand
material on how film is shaped as well as its terminology.
Course Policies
Attendance Policy
In order to
improve student learning as well as to achieve compliance with federal
financial aid policies, Western has a mandatory attendance policy for all
100-level courses and 200-level course for Fall
2007.
You will be
given an excused absence when acting as an official representative of the
university, provided you give prior written verification from the faculty/staff
supervisor of the event. All other absences will be deemed unexcused. The
maximum number of unexcused absences allowed for this class before the midterm
report, October 18, is 1. Thus, when you have 2 unexcused absences you will be
reported to the Registrar’s Office, who will automatically withdraw you from
this class. The Financial Aid Office will reduce financial aid as appropriate.
It is required that students submit their own
work. Students who are guilty of plagiarism or cheating in any form will automatically
receive a zero for the assignment involved and will place themselves in
jeopardy of failing the course.
Academic Honesty Policy and Due Process
Academic honesty is required in all academic
endeavors. Violations of academic honesty include any instance of plagiarism,
cheating, seeking credit for another’s work, falsifying documents or academic
records, or any other fraudulent activity. Violations of academic honesty
may result in a failing grade on the assignment, failure in the course, or
expulsion from the University. When a student’s grade has been affected,
violations of academic honesty will be reported to the Provost or designated
representative on the Academic Honesty Violation Report Form.
Please see the 2006-2007 Student Handbook and
Calendar on page 21 for specific activities identified as violations of this
policy and the student due process procedure. This handbook is also
available online at http://www.missouriwestern.edu/handbook/index.pdf
Student Disability Policy
Students who have a disability which might
prevent their maximum performance in the class should make this known to the
instructor immediately so that provisions may be made for any assistance
needed.
College Behavior Policies
- No
cell phones, pagers, beepers or other electronic equipment are allowed to
operate in this classroom. Cell phones must be turned off during class. They
are not to be used for text messaging or game playing during class. Such
behavior will result in an absence for the day and a deduction of 2-5
points on the next work turned in.
- Class
begins at 3:30pm. Students who
are not here when work is distributed will receive a grade of zero for the
assignment.
- A
sleeping student will be noted and will receive an absence for the day.
- Conversation
and whispering during the film is distracting to other students; a student
engaging in either will be noted by the instructor and receive an absence
for the day. During the instructor's presentation of material, students
should be listening and taking notes; it is rude (as well as distracting)
to talk, whisper, etc. during this part of the class.
- When
questions are asked by others, listen carefully so that material does not
need to be repeated.
- All
work is due on time and in the format specified. If it does not conform to
specifications or is late, it will be penalized by a loss of points.
- Class
is not over until it is dismissed.
- You
are responsible for material placed on the P-drive by the next class--you
must be able to recall it and apply it. In general, P-drive material will
be posted on Monday morning for the week ahead.
- You
will be given a nom de film under which your points will be posted.
- If
upon gathering the information sheet during the first class, I see that
you have indicated difficulty in getting material from the P-drive, I will
provide you with written copies of the P-drive materials during class.
False Assumptions about this Class
Assumption 1: There is no reading in the
class; we only watch films.
False.
There is actually quite a bit of reading in this class. The class will read two
novels, High Fidelity and The Rainmaker. Both of these
books have been enjoyed by and written about by past students.
The text for this class is a book
written by the instructor and posted on the P-drive. Instead of asking you o
spend money on a book like Anatomy of Film (which I have used for the
last 7years and now runs around $45), the material on film will be posted on
the P-drive. The first two chapters are already posted on the P-drive (or they
will be given to you should you have P-drive difficulty). You will be
responsible for having read them prior to the next session of the class.
Assumption 2: All work is done in class;
there is no homework.
False.
You will be doing outside writing in the take-home portion of the final, in the
mid-term, and in the paragraph written responses. The extra credit
assignments (if you choose to do them) also demand written work.
Assumption 3: The films have been chosen
entirely based upon student enjoyment; therefore I will like every film in this
class.
False.
While I hope you enjoy the majority of these films, I primarily choose films
based on their learning value and for the range of the film experience they represent.
Therefore, we will see silent films and several films in black and white. If
you are taking this class because you are a big fan of "Dumb and
Dumber" or "Texas Chainsaw Massacre" and expect class films to
be similar, you may want to rethink your decision to take this section. Because
this class is offered as an English
offering, ENG 210, (as opposed to a mass media one), the emphasis of this class
falls on such things as narrative plot and dialogue (as opposed to special
effects.)
Assumption 4: Every film we see will be a
comfortable experience for me; all films will reinforce my moral belief system.
False.
One of the goals of this class is to expose its members to films which may
challenge your preconceptions of film and its subject matter. While my choice
of films is not terribly "avant-garde"
or "cutting edge," I do try to select some films that expose you to
cultural, religious, and sexual points of view that you may not have considered
before or be comfortable with. If you feel that you will have trouble being
open to this kind of experience and reflecting that openness in your written
responses, you may want to rethink your decision to take this section.
Grading Policies
The class grade is computed on the basis of 200
points divided into halves.
1. Class work (100
pts. Total)
- Quizzes
over reading and films, take home written responses
- Eleven
of these exercises will be given; the lowest score will be dropped.
2. Tests (100 points
total)
- A
take-home mid-term essay (3-4 pages maximum) 40 points
- A
final examination 60 points
- 10
point survey (all or nothing)
- 50
point take-home essay portion
3. Total points
possible 200 pts.
- Final
grades are determined on a 10% scale; above 180 total points is an
"A" (200 minus 20 = 180) The
final score will be lowered because of absences or late work.
2.
Opportunities to earn a maximum of 15 points extra credit are given
during the second half of the semester. These extra credit assignments are all
or nothing.
Course
components
Ten-point assignments
- Written
work must be mechanically clean and formatted in structured paragraphs to
receive full credit. Lack of paragraph form or errors in grammar and
mechanics will result in deductions from the score.
- Individual
written work can earn 5 to10 points each; the possible points will be
given on the assignment. At the end of the semester, each student will
have had the opportunity to amass a total of 110 points. The lowest 10
point score will be dropped for each student at the end of the semester.
- Written
work completed on torn, spiral bound, or ripped paper will be penalized by
a 2 point deduction from the grade.
- Some
written work will be due after we view the film. Sometimes a short scene
or shot is replayed followed you interpreting and analyzing specific
components of the scene. Sometimes the writing prompts are distributed
before viewing the movie so you can look for materials as you view the
film. In either case, names of movies, actors, directors, characters, etc.
must be spelled correctly to receive full credit.
- Some
written work will be take-home in nature. At the film's conclusion, a
response assignment will be given. These are due at the beginning of the
next class period.
- When
a specific kind of response (a paragraph) is indicated by the prompt,
penalties will be taken if the response is three paragraphs rather than
one or if the paragraph is underdeveloped.
- Objective
quizzes over the assigned reading will take place at the beginning of the
hour. Objective quizzes over the film will take place after the film. If
time permits, the instructor will go over the objective test immediately
after the quiz is over. Objective quizzes cannot be made up.
- Some
objective quizzes will be short-answer; some will be multiple choice.
Longer written work
1. This longer writings will give you a chance to
reflect upon what you have viewed and compose a developed statement of your
ideas. An essay is required in response to the mid-term and an essay is
required as the largest part of the final.
2. Topics for writings will be assigned, but you are
always given at least two options to choose from.
- Written
work must be word processed by computer. Preparing your work on a computer
with spell checker makes for an easier job. Make sure you save your work
to a floppy disk in case it is lost or misplaced.
- This
writing is expected to be in essay format with complete sentences, correct
grammar, punctuation, and spelling and a TITLE. When you are quoting,
summarizing or paraphrasing material from the book or the film, you must
properly source such material within the paper and document such material
following the guidelines in Chapter 3.
- No
outside sources should be used unless directed by the instructor.
- The
longer assignments are arranged in order of increasing point consequence.
You will have the option of rewriting the mid-term. If you choose to do
this, you must make an appointment with the instructor prior to the
rewrite.
Examinations
- The
mid-term exam is comprised of a take-home essay, which is expected to
follow all the rules above for written work and is worth 40 points.
- The
final exam will consist of two parts:
A. A 10 point
all-or-nothing survey.
B. A take-home component
which will be based on reading The Rainmaker and watching the film “The
Rainmaker.” An all-or-nothing survey of the class (worth 10 points)
Course Procedures
Materials
Film-based materials are posted on the P-drive
one week ahead. At the end of today's first class, material for next week's
film will already by up on the P-drive and I will go through the steps to
access the P-drive again. You are responsible for mastering the background
material. It may be the basis for quizzes. Quizzes will be given to insure that
you are keeping up with reading.
Agenda
Since we meet only once a week, our time
together is likely to be very full. Therefore class will start on time. When
you come into the room, check the screen for the day’s agenda. Every class will
begin with an agenda posted on the screen.
There is usually a short lecture by the
instructor on the reading and how it applies to the film and the film itself.
Sometimes in place of the lecture, we will view a short “making of” featurette so that you can hear and see the people directly
involved in the film.
Depending upon the length of the film (and films
are getting longer), question time will follow.
If a film's length is under 2 hours, we will
view it with no break; instead our break will come before viewing the film.
If a film's length is over 2
hours, we will take a short (no more than 5 minutes) break around the middle of
the film.
All classes will end with you handing in your
"rating" slip for the film; there is space on the quiz sheets I hand
out for this. Otherwise you will turn in a rating with your name and the
film’s name on notebook paper. The notebook paper is required to be a complete
sheet and not have squiggles hanging from it. If the sheet is torn or
“squiggly,” 2 points will be deducted from your next 10-point assignment.
You are expected to keep a rating journal over
the course of the semester, listing your own rating as well as the class rating
of the film and the Internet Movie Data Base (IMDb)
rating which will be found on the P-drive under Tally. The journal will be
reproduced as part of the Final examination survey.
Calendar
08/29 Go over syllabus and O-P drive, watch
“Sherlock, Jr.” (Keaton, 1924)
09/05 Read before class Chapters 1-2
on the O/P drive. View “Casablanca.”
(Curtiz, 1942)
09/12 Read before class Chapter 4. View “Memento” (Nolan, 2003)
From this point on, you should be reading Persuasion.
09/19 Read before class Prologue to Genres and
Chapter 5. View “The Awful Truth” (McCrary, 1936)
09/26 Read before class Chapter 6. View “The Grifters” OR “L.A.
Confidential”
10/03 Read before class Chapters 3 and 7. View “Persuasion.” Assignment for mid-term
handed out.
10/10 Mid-term due. View
10/17 Read before class Chapter 8. View “The
Searchers” (Ford)
10/24 Read before class Chapter 9. View “Top
Hat”
10/31 Read before class Chapter 10. View “My Son, the Fanatic”
11/07 Read before class Chapter 11. View “Eve’s Bayou”
11/14 Read before class Chapter 12. View “Supersize Me” OR “Born Into Brothel”
11/21 No Class
11/28 View film selected by the class
12/05 View “Out of Sight”
Final Essay and Survey due on 12/14/06 at 2 pm