Missouri
Western State University
Division
of Liberal Arts and Sciences
ENG
210-05 Approaches to Literature: Film Literature
Meets
Tuesday 3:30-6:20pm, HC 102
Spring
2006
Basic
Information
Instructor Information
Dr. Karen
U. Fulton, Professor
Communication
Tel: 271-4317(work)
email:
fulton@missouriwestern.edu
Office Hours
Office: 222H Eder Hall (SS/C Building)
2:00-3:30
M, 10-12 and 2-3:30 T; other times by appointment
Required Texts
Grisham, John The Rainmaker.
Hornby, Nick. High Fidelity.
Other Required Supplies
Access to computer and
MWSC P-drive (you will need your Missouri Western password to access this
drive).
Access to email; it is
much easier to communicate with me via email.
Access to word processor with spell-checker (for out of class
assignments).
Course
Objectives and Means
English 210 fulfills Category IV General Studies requirements. These goals can be found
onhttp://www.mwsc.edu/~engdept/genstud.html. All English 210 sections provide
practice in reading poetry, prose fiction, and drama.
General 210 Objectives:
- Recognize
the major characteristics of literary genres.
- Discuss
literature, orally and in writing, with assurance.
- Appreciate
literary works which are encountered.
- Understand
the different ways in which literary themes may be treated in literature.
Objectives for Film Literature:
- Recognize
major characteristics of the various film genres and the literature on
which the films are based as well as the literature the films generate.
- Discuss
films and film literature orally and in writing with assurance.
- Appreciate
filmed literary works which you encounter.
- Understand
the different ways in which a literary theme may be treated in film.
General 210 Means:
- Read
poetry, fiction, and drama.
- Investigate
various methods of approaching and understanding literature.
- Written
essays and essay examinations.
- Read
a variety of works of literature.
Film 210
means
- View
various film productions, read works on which films have been based, read
a variety of criticism generated by film.
- Investigate
various methods of approaching and understanding films and their
literature.
- Complete
written assignments which deal with the films viewed as well as a long
paper and partial essay examinations.
- Read
at least one work on which a film has been based; read and understand
material on how film is shaped as well as its terminology.
Course Policies
Attendance Policy
Attendance will be recorded at each session.
Class work distributed and completed during the same class session will not be accepted late. Multiple choice
quizzes and written responses are graded (see grading policies); the resulting
points make up one half of final total. When written work is not completed
during the class period, students will complete and sign an attendance
verification rating sheet at the end of the hour. There is no *good* way to
make up a missed session. Since the
course meets only once a week, an absence means missing an entire week’s work.
Two absences place you in danger of failing the course. Classes start on time.
If you are not present when written work is distributed or collected, you will
be marked absent for the day.
Academic Honesty Policy
It is required that students submit their own
work. Students who are guilty of plagiarism or cheating in any form will
automatically receive a zero for the assignment involved and will place
themselves in jeopardy of failing the course.
Student Disability Policy
Students who have a disability which might
prevent their maximum performance in the class should make this known to the
instructor immediately so that provisions may be made for any assistance
needed.
College Behavior Policies
- No
cell phones, pagers, beepers or other electronic equipment are allowed to
operate in this classroom. Cell phones must be turned off during class. They are not to be used for text
messaging or game playing during class. Such behavior will result in
an absence for the day and a deduction of 2-5 points on the next work
turned in.
- Class
begins at 3:30pm. Students who
are not here when work is distributed will receive a grade of zero for the
assignment.
- A
sleeping student will be noted and will receive an absence for the day.
- Conversation
and whispering during the film is distracting to other students; a student
engaging in either will be noted by the instructor and receive an absence
for the day. During the instructor's presentation of material, students
should be listening and taking notes; it is rude (as well as distracting)
to talk, whisper, etc. during this part of the class.
- When
questions are asked by others, listen carefully so that material does not
need to be repeated.
- All
work is due on time and in the format specified. If it does not conform to
specifications or is late, it will be penalized by a loss of points.
- Class
is not over until it is dismissed.
- You
are responsible for material placed on the P-drive by the next class--you
must be able to recall it and apply it. In general, P-drive material will
be posted on Monday morning for the week ahead.
- You
will be given a nom de film
under which your points will be posted.
- If
upon gathering the information sheet during the first class, I see that
you have indicated difficulty in getting material from the P-drive, I will
provide you with written copies of the P-drive materials during class.
False Assumptions about this Class
Assumption 1: There is no reading in the
class; we only watch films.
False. There is actually quite a bit of reading in this
class. The class will read two novels, High
Fidelity and The Rainmaker. Both of these books have been enjoyed by and
written about by past students.
The text for this class is a
book written by the instructor and posted on the P-drive. Instead of asking you
o spend money on a book like Anatomy of
Film (which I have used for the last 7years and now runs around $45), the
material on film will be posted on the P-drive. The first two chapters are
already posted on the P-drive (or they will be given to you should you have
P-drive difficulty). You will be responsible for having read them prior to the
next session of the class.
Assumption 2: All work is done in class;
there is no homework.
False. You will be doing outside writing in the take-home
portion of the final, in the mid-term, and in the paragraph written
responses. The extra credit assignments (if
you choose to do them) also demand written work.
Assumption 3: The films have been chosen
entirely based upon student enjoyment; therefore I will like every film in this
class.
False. While I hope you enjoy the majority of these films, I
primarily choose films based on their learning value and for the range of the
film experience they represent. Therefore, we will see silent films and several
films in black and white. If you are taking this class because you are a big
fan of "Dumb and Dumber" or "Texas Chainsaw Massacre" and
expect class films to be similar, you may want to rethink your decision to take
this section. Because this class is offered as an English
offering, ENG 210, (as opposed to a mass media one), the emphasis of this class
falls on such things as narrative plot and dialogue (as opposed to special
effects.)
Assumption 4: Every film we see will be a
comfortable experience for me; all films will reinforce my moral belief system.
False. One of the goals of this class is to expose its
members to films which may challenge your preconceptions of film and its
subject matter. While my choice of films is not terribly "avant-garde" or
"cutting edge," I do try to select some films that expose you to
cultural, religious, and sexual points of view that you may not have considered
before or be comfortable with. If you feel that you will have trouble being
open to this kind of experience and reflecting that openness in your written
responses, you may want to rethink your decision to take this section.
Grading Policies
The class grade is computed on the basis of 200
points divided into halves.
1.
Class
work (100 pts. Total)
- Quizzes
over reading and films, take home written responses
- Eleven
of these exercises will be given; the lowest score will be dropped.
2.
Tests
(100 points total)
- A
take-home mid-term essay (3-4 pages maximum) 40 points
- A
final examination 60 points
- 10
point survey (all or nothing)
- 50
point take-home essay portion
3.
Total
points possible 200 pts.
- Final grades are determined on a 10% scale; above
180 total points is an "A" (200 minus 20 = 180) This final score will be lowered because of absences
or late work.
2.
Opportunities to earn a maximum of 15 points extra
credit are given during the second half of the semester. These extra credit
assignments are all or nothing.
Course
components
Ten-point assignments
- Written
work must be mechanically clean and formatted in structured paragraphs to
receive full credit. Lack of paragraph form or errors in grammar and mechanics
will result in deductions from the score.
- Individual
written work can earn 5 to10 points each; the possible points will be
given on the assignment. At the end of the semester, each student will
have had the opportunity to amass a total of 110 points. The lowest 10
point score will be dropped for each student at the end of the semester.
- Written
work completed on torn, spiral bound, or ripped paper will be penalized by
a 2 point deduction from the grade.
- Some
written work will be due after we view the film. Sometimes a short scene
or shot is replayed followed you interpreting and analyzing specific
components of the scene. Sometimes the writing prompts are distributed
before viewing the movie so you can look for materials as you view the
film. In either case, names of movies, actors, directors, characters, etc.
must be spelled correctly to receive full credit.
- Some
written work will be take-home in nature. At the film's conclusion, a
response assignment will be given. These are due at the beginning of the
next class period.
- When
a specific kind of response (a paragraph) is indicated by the prompt,
penalties will be taken if the response is three paragraphs rather than
one or if the paragraph is underdeveloped.
- Objective
quizzes over the assigned reading will take place at the beginning of the
hour. Objective quizzes over the film will take place after the film. If
time permits, the instructor will go over the objective test immediately
after the quiz is over. Objective quizzes cannot be made up.
- Some
objective quizzes will be short-answer; some will be multiple choice.
Longer
written work
1.
This longer writings will give you a chance to reflect upon what you have
viewed and compose a developed statement of your ideas. An essay is required in response to the
mid-term and an essay is required as the largest part of the final.
2.
Topics for writings will be assigned, but you are always given at least
two options to choose from.
- Written
work must be word processed by computer. Preparing your work on a computer
with spell checker makes for an easier job. Make sure you save your work
to a floppy disk in case it is lost or misplaced.
- This
writing is expected to be in essay format with complete sentences, correct
grammar, punctuation, and spelling and a TITLE. When you are quoting,
summarizing or paraphrasing material from the book or the film, you must
properly source such material within the paper and document such material
following the guidelines in Chapter 3.
- No
outside sources should be used unless directed by the instructor.
- The
longer assignments are arranged in order of increasing point consequence.
You will have the option of rewriting the mid-term. If you choose to do
this, you must make an appointment with the instructor prior to the
rewrite.
Examinations
- The
mid-term exam is comprised of a take-home essay, which is expected to
follow all the rules above for written work and is worth 40 points.
- The
final exam will consist of two parts:
- A
take-home component which will be based on reading The Rainmaker and watching the film “The Rainmaker.” An all-or-nothing survey of the
class (worth 10 points)
Course Procedures
Materials
Film-based materials are posted on the P-drive
one week ahead. At the end of today's first class, material for next week's
film will already by up on the P-drive and I will go through the steps to
access the P-drive again. You are responsible for mastering the background
material. It may be the basis for quizzes. Quizzes will be given to insure that
you are keeping up with reading.
Agenda
Since we meet only once a week, our time
together is likely to be very full. Therefore class will start on time. When
you come into the room, check the screen for the day’s agenda. Every class will
begin with an agenda posted on the screen.
There is usually a short lecture by the
instructor on the reading and how it applies to the film and the film itself.
Sometimes in place of the lecture, we will view a short “making of” featurette
so that you can hear and see the people directly involved in the film.
Depending upon the length of the film (and
films are getting longer), question time will follow.
If a film's length is under 2 hours, we will
view it with no break; instead our break will come before viewing the film.
If a film's length is over 2 hours, we will
take a short (no more than 5 minutes) break around the middle of the film.
All classes will end with you handing in your
"rating" slip for the film; there is space on the quiz sheets I hand
out for this. Otherwise you will turn in
a rating with your name and the film’s name on notebook paper. The notebook
paper is required to be a complete sheet and not have squiggles hanging from
it. If the sheet is torn or “squiggly,” 2 points will be deducted from your
next 10-point assignment.
You are expected to keep a rating journal over
the course of the semester, listing your own rating as well as the class rating
of the film and the Internet Movie Data Base (IMDb) rating which will be found
on the P-drive under Tally. The journal will be reproduced as part of the Final
examination survey.