ENG 210 Southern Fiction


Dr. Ken Rosenauer
Syllabus
Spring 2001

 

 

Purpose

Approaches to Literature (ENG 210) is a sophomore-level literature course that introduces you to excellent works of literature selected to follow a theme or genre - in this case, the literature of the American South. The course is designed to develop your ability to read, evaluate, and respond to this literature through oral discussion and written reports. English 210 fulfills Category IV General Studies requirements. All English 210 sections provide practice in reading poetry, prose fiction, and drama.

Goals

Upon satisfactory completion of this course you should be able to:

(1) Recognize the major characteristics of literary genres
(2) Discuss literature, orally and in writing, with assurance
(3) Appreciate literary works which are encountered
(4) Understand the different ways in which literary theme may treated in literature

Means

To reach these goals, the student is expected to:

(1) Read poetry, fiction, and drama.
(2) Investigate various methods of approaching and understanding literature.
(3) Write papers, including themes and essay examinations.
(4) Read a variety of literary works in which a chosen theme is dominant.

Literary Reports

You will be required to complete three literary reports during the term, the first worth 50 points and the other two worth 300 points each. All must be typed, double spaced, with these desktop publishing settings: font - New Century Schoolbook or comparable, size - 12 pt., leading (spacing) - 24 pt., margins - 1 inch all around.

The 50-point paper is a 2- to 3-page response to Gone with the Wind, in which you detail how the film has helped you understand The South by relating it to several of the themes we discuss at the beginning of the semester.

You may select any of the following for your two 300-point reports (make sure we have finished discussing the chosen work first), but each assignment, running 4 to 6 pages, may be done only once:

Personal critical analysis of a single work we have studied.
Analytical essay in which you argue for your own personal relationship to a character, explaining clearly what characteristics you each have in common and how those influence how you and the character act in similar circumstances or how it is you respect/admire the character and why.
A sequel or alternate ending to a short story we have studied, which includes AT LEAST one full page that explains the impact of your sequel or alternate ending vs. our reading of the first story.
A cross-medium poem written on a short story or play we have studied, which includes AT LEAST one full page that explains the impact of your poem vs. our reading of the first story.
A cross-medium play written on a short story or poem we have studied, which includes AT LEAST one full page that explains the impact of your play vs. our reading of the first story.
A modernized parody of a poem, short story, or play we have studied, which includes AT LEAST one full page that explains the impact of your parody vs. our reading of the first story

Class Participation

All of you are expected to be fully prepared to discuss each work in class. This will require a thorough understanding of the readings and a willingness to offer your perspectives. Each of you will keep a tally sheet for each class period, wherein you will track the number of contributions you make to discussions as well as a brief reference to those contributions. Participation is worth 100 points.

Reading Journal

You will be expected to keep an extensive notebook of your personal insights and notes gathered during and following your reading of each work and in-class notes of lectures and discussions. While textbook marginal notations are commonplace, those will not be graded. Due at final exam period and graded for completeness, the journal must be clearly marked and will be worth 50 points.

Examination

One 200-point examination will be given at the end of the term, covering the works we have studied and our class discussions. At the beginning of the semester, you will receive the list of sample questions similar to those you will find on the final exam.

Attendance

Very simply, you are expected to be in class each day we meet. Unexcused absences will be reflected in class participation and reading journal grades. Also, late assignments are not accepted.

Grades

Points will be earned for the following items:

Three reports -- 650 points
Class participation -- 100 points
Reading journal -- 50 points
One exam -- 200 points
TOTAL -- 1000 points


The letter grade equivalents are:

A >>90-100% 900-1000 points
B >>80- 89% 800-899 points
C >>70- 79% 700-799 points
D >>60-69% 600-699 points
F >>Below 60% Below 600 points

Office Hours/Phones/E-mail

Office hours are Tuesdays and Thursdays, 8 a.m. to 10 a.m., and by appointment. My office is in JGM 309N until sometime in February; after that it will be in SS/C 208-E.

Office Phone: 271-4323, Home Phone: 387-8213. Leave messages if I am not available to answer the phone; that's why I've got the answering machines.

E-mail: My e-mail address is klr9015@griffon.mwsc.edu. You are welcome to write me about questions or concerns you may have about the course. My class Website is located at www.missouriwestern.edu/~klr9015/rosenauer_main.html.

Academic Honesty

You are expected to do your own reading and writing for this course. Submitting someone else's work (including plagiarism through misleading documentation) will earn a zero for the assignment grade. Serious infractions may be turned over to the dean of students for disciplinary action.

Disabled Students

If you are disabled, whether the disability is apparent or not, and concerned that your disability may interfere with your completion of course requirements above, please notify me during the first week of classes so that we might discuss appropriate alternatives.





Dr. Ken Rosenauer
Course Outline
Spring 2001

 

 

JANUARY

19 (F) Discuss the history of The South

22 (M) Discuss your paragraphs on the history of The South

24 (W) Discuss short stories, poetry, and plays

26 (F) Begin viewing Gone with the Wind

29 (M) Continue viewing Gone with the Wind

31 (W) Continue viewing Gone with the Wind

 

FEBRUARY

2 (F) Continue viewing Gone with the Wind

5 (M) Finish viewing Gone with the Wind
Assignment: Write a response to the film Gone with the Wind, explaining how it has helped you to better understand The South by relating it to several of the themes we discussed at the beginning of the semester (2-3 typed pages, worth 50 points). Due Feb. 14

7 (W) Wrap-up discussion of Gone with the Wind

9 (F) Samuel Davies, 64; "How Great, How Terrible That God," 65; "Welcome to Earth, Great Son of God," 66

12 (M) Edgar Allan Poe, 163; "Sonnet To Science," 171; "Sonnet Silence," 172

14 (W) Henry Timrod, 310; "Charleston," 311; "The Unknown Dead," handout

16 (F) Sidney Lanier, 497; "Song of the Chattahoochee," 505; "The Marshes of Glynn," 506

19 (M) Presidents Day; no classes

21 (W) G.W. Cable, 509; "Jean-ah Poquelin," 509

23 (F) Continue discussing "Jean-ah Poquelin"

26 (M) Discuss literary reports

28 (W) Kate Chopin,534; "Desiree's Baby," 535

 

MARCH

2 (F) Continue discussing "Desiree"
Assignment: Prepare one of the following prewriting materials to bring to the literary report in-class work session on March 5:
· thesis statement and supporting argument for critical analysis or personal relationship to character.
· kernal passage for sequel or alternate ending.
· rough stanza of poetry or a page of script for cross-medium.
· sample passage of modernized parody of poem, short story, or play.

5 (M) In-class work session

7 (W) Allen Tate, 597; "Ode to the Confederate Dead," 597

9 (F) Caroline Gordon, 644; "Old Red," 645

12-16 Spring Break

19 (M) Continue discussing "Old Red"

21 (W) Katherine Anne Porter, 669; "Rope," 669

23 (F) Continue discussing "Rope"

26 (M) Robert Penn Warren, 692; "Blackberry Winter," 693

28 (W) Continue discussing "Blackberry"

30 (F) Carson McCullers, 795; "A Tree·A Rock·A Cloud," 795

 

APRIL

2 (M) Continue discussing "A Tree·A Rock·A Cloud,"

4 (W) LITERARY REPORT ONE DUE
Small-group readings of papers

6 (F) Eudora Welty, 807; "A Worn Path," 807

9 (M) Continue discussing "Path"

11 (W) Tennessee Williams, 816; Portrait of a Madonna, 816

13 (F) Continue discussing Portrait

16 (M) Flannery O'Connor, 935; "Revelation," 942

18 (W) Continue discussing "Revelation"

20 (F) James Still, 1134; "Farm,"1135; "Pattern for Death," 1135; "When the Dulcimers Are Gone," 1135

23 (M) Maya Angelou, 1180; "On the Pulse of Morning," 1180
A.R. Ammons, 1181; "Periphery," 1182; "Clarity," 1183

25 (W) Ernest J. Gaines, 1350; "The Sky Is Gray," 1350

27 (F) Continue discussing "The Sky"

30 (M) LITERARY REPORT TWO DUE
In-class review of final exam questions

 

MAY

2 (W) Study day NO CLASSES

3-9 Final Exam Week


This page was last updated Jan. 2, 2001