English 210 – Approaches to Literature
Extreme Themes, Word Slams, and Arguments
in Literature
Department
of English, Foreign Languages, & Journalism
MWSC
Division of Liberal Arts & Sciences
TTH
12:30-1:50 JGM
104
Instructor: Dr. Cynthia Jenéy
Office:
S/SC 222K
Phone:
271-4447
Email:
jeney@griffon.mwsc.edu
Office
Hours: M 10:00- 2:00 | T 2:00-4:00 | By appointment
E-Forum:
http://miranda.cailab.mwsc.edu:8080/~jeney21004
Required Textbooks:
Nims, Frederick Western Wind. Fourth
Edition.
Kelly,
Joseph (Ed.) The Seagull Reader: Stories.
Aeschylus.
The Oresteia Trilogy.
Aristophanes.
The Birds.
Shakespeare,
William. King Lear.
Wilde,
Oscar. The Importance of Being Earnest.
Sartre, Jean-Paul. No Exit and Three Other Plays.
Atwood,
Margaret. The Handmaid’s Tale.
Caution – do NOT wait until later in the semester to buy your books –
the bookstore may sell them back
to the publisher’s warehouse before you get to them!
Required Materials
A working, steady email account to which
you know the exact address.
3.5”
PC-formatted floppy diskettes (2 or 3 at least, labeled with your name &
Eng. 210)
Recommended:
A
good college dictionary
An edition of the MLA Style Handbook.
English
210 fulfills Category IV General Studies requirements.
All English 210 sections provide practice in reading poetry, prose fiction, and
drama.
Objectives:
Upon
completion of English 210 a student should be able to:
(1) Recognize the major
characteristics of literary genres
(2) Discuss literature, orally and in writing, with assurance
(3) Appreciate literary works which are encountered
(4) Understand the different ways in which literary theme may be treated in
literature
Students
will be expected to:
(1) Read poetry, prose fiction, and drama
(2) Investigate various methods of approaching and understanding literature
(3) Write papers, including themes and essay examinations
(4) Read a variety of literary works in which a chosen theme is dominant
Class meetings: Class meetings of upper
division courses are conducted under the assumption that students are
well-versed in the conventions of college classrooms and academic
environments. Come to class prepared,
and plan to participate and remain engaged with the materials for the entire class period. In the
unlikely and unfortunate event that you find yourself unprepared, come anyway,
but I expect you to arrive doubly-prepared the next time. Should the situation
become chronic, you may wish to re-examine your priorities for the semester, as
this is a writing- and participation-intensive course. In short: develop good
academic habits now, or pay later.
This Syllabus: Read this syllabus very
carefully, and refer to it often. All information presented here is regarded as
part of your own knowledge. All answers to your questions about the class will
be based on an assumption that you understand the syllabus and seek further
clarification. The teacher reserves the right to alter this syllabus and to
make announced changes as need arises during the course of the semester.
Due Dates: Dates for handing in all
required assignments are listed in the course schedule attached. There is no
room in the semester calendar for late papers. I do not plan to be accepting
late papers, due to my current teaching load and conference schedule. Make a
note of all due dates now, and plan accordingly.
Attendance: A student with more than 4
(T-Th) unexcused absences will automatically be given
a failing grade for the course. It is
your responsibility to keep track of your own attendance in the class. Please
see the student handbook for the definition of "excused absence"
(i.e., I do not wish to see doctor's excuses or obituaries). If you miss class it is your responsibility to
contact a classmate (and of course refer to this syllabus) regarding
announcements, assignments, changes, class notes, and additional readings or
writing.
Students
who consult with me in advance of known conflicts will be given the option of pre-arranged
make-up work on a case-by-case basis. DO contact me in the event of unforeseen
hardships and illnesses. Serious efforts to complete the work for this class
will be given fair consideration, especially in cases of earnest dedication and
hard work.
Note:
Weddings and trips to Baja do not
constitute “hardships” or “emergencies.”
Electronic Forum: Each student will be
required to post regularly (once per week) to the class electronic forum. Posts
to the forum will be full-length responses to assignments given in class.
Therefore, be mature, be polite, be excellent online.
All
members of the class will have posting and reading access to the forum on the
web, but may also choose the additional option of receiving posts via email
(posts will always remain on the web site). Although the forum works
technically like an email listserv and
web-board, it is not to be used for “Yeah, man. I agree” type
messages.
You
must have a stable email account
established in order to satisfy this writing requirement for the course. I
strongly urge you to use your MWSC email account for this forum. Do not shift
around with Yahoo and Hotmail account subscriptions, as this will confuse the
moderator, and possibly cause her to delete your membership. As moderator, I
will do my best to insure that you do not receive advertising or other unwanted
messages in your account. Expect the usual glitches and snafu’s when first
getting subscribed to the electronic discussion group. I tend to use different
technologies as time goes by, and as internet services evolve. I will try to
make it as painless and easy as possible for you, but there is a certain amount
of meticulous attention required at the outset, in order to get the forum up
and running efficiently for us all.
Assignments: There will be four
essays assigned during the semester. Papers will be fairly structured, and
based upon 1) primary texts (literature) assigned for the semester, and 2)
terms, concepts, theories, and ideas studied in lecture and in the textbook.
While essay grading always involves non-mathematical principles, criteria and
goals will be laid forth, and papers will be judged according to the writer’s
ability to meet the demands of the reading and the assignments. Grades are
weighted as follows:
10% Paper #1 (required)
15% Paper #2 (required)
15% Midterm Exam (required)
15% Paper #3 (required)
15% Paper #4 (required)
15% Electronic Forum (required)
15% Class presentations and
participation (required)
100% Total
A note about the writing in this course:
although we will all encourage each other to be open and to explore ideas,
experiences, thoughts, emotions, and beliefs, essay assignments and the
electronic forum posts shall be considered public
texts. Therefore I have a strict policy against writing about any un-prosecuted
crime or suspected illegal activity which you have witnessed, or in which you
have been involved. When in doubt, I will always err on the side of safety.
Grading:
I expect papers to have a clear thesis, reasonable organization and
development, focused paragraphs, and sentence-level competency. During the
course of the semester you should integrate the literary and rhetorical
terminology, ideas, and conceptual frameworks we have studied.
Academic
honesty: See Policy Guide II, B, C: “Since honesty in the classroom is required,
cheating, plagiarism, or knowingly furnishing false information to the college
constitutes a violation.” In short, the work you turn in must be your own.
Disabilities: Any student in this course
who has a disability that prevents the fullest expression of abilities should
contact the MWSC Special Needs Office as soon as possible so that we can
discuss alternative ways to satisfy class requirements: Coordinator:
Lois
E. Fox
Location:
SS/C Building, Room 202
Office
Hours: 9 a.m.-5:30 p.m., Monday through Friday
Phone:
(816) 271-4330
Welcome To:
Extreme Themes,
Word Slams,
And Arguments in Literature
What
does this title mean? What is an “extreme theme” or a “word slam”? We’ll be
exploring these notions together, through study of methods for traditional
literary analysis, as well as some dynamic principles of Rhetoric, Semiotics,
and Dramatism. We’ll especially be asking ourselves
“What does the written word DO to us? Why does it make us feel? think? respond?” And most
importantly, why does one work inspire a writer to produce his or her own
masterpiece? What is the conversation about, and how can we join in?
I’ll
be supplying some rhetorical concepts and frameworks for us to use in concert
with, and in juxtaposition to, the concepts of literary interpretation and
analysis introduced in our books.
Tentative Class Schedule
(Subject to change, depending upon the needs of the class)
|
Week 1 |
8/21 8/23 |
Introduction; syllabus. Western Wind (WW) Chapters 1, 2 |
|
Week 2 |
8/28 8/30 |
WW Chapters 3, 4 WW Chapters 5, 6 |
|
Week 3 |
9/4 9/6 |
WW Chapters 7, 8 WW Chapters 9, 10 |
|
Week 4 |
9/11 9/13 |
WW Chapters 11, 12 WW Chapters 13, 14 |
|
Week 5 |
9/18 9/20 |
Paper #1 DueElements of Fiction “Hills Like White Elephants” – Hemingway “A Good Man is Hard to Find” – O’Connor |
|
Week 6 |
9/25 9/27 |
“The Cask of Amontillado” – Poe “The Yellow Wallpaper” – Gilman “Yellow Woman” – Silko |
|
Week 7 |
10/2 10/4 |
“A Very Old Man With Enormous Wings” – García “The Chrysanthemums” – Steinbeck “A Worn Path” – Welty |
|
Week 8 |
10/9 10/11 |
MIDTERM EXAM“A Hunger Artist” – Kafka |
|
Week 9 |
10/16 10/18 |
“The Story of an Hour” – Chopin “A Rose for Emily” – Faulkner The Handmaid’s Tale – Atwood |
|
Week 10 |
10/23 10/25 |
Paper #2 DueThe Handmaid’s Tale – Atwood The Handmaid’s Tale – Atwood |
|
Week 11 |
10/30 11/1 |
The Handmaid’s Tale – Atwood Agamemnon – Aeschylus |
|
Week 12 |
11/6 11/8 |
Agamemnon – Aeschylus The Birds – Aristophanes The Birds – Aristophanes |
|
Week 13 |
11/13 11/15 |
Paper #3 Due King Lear – Shakespeare King Lear – Shakespeare |
|
Week 14 |
11/20 11/22 |
The Importance of Being Earnest – Oscar Wilde The Importance of Being Earnest – Oscar Wilde |
|
Week 15 |
11/27 11/29 |
No Exit – Sartre No Exit – Sartre |
|
Finals week |
|
Paper #4 Due Final Exam Th |